{"version":"1.0","provider_name":"12 pulgadas","provider_url":"https:\/\/blogs.diariovasco.com\/12-pulgadas","author_name":"Ivan Castillo Otero","author_url":"https:\/\/blogs.diariovasco.com\/12-pulgadas\/author\/ivancastillo\/","title":"El arte de no detenerse de The Black Keys: de \u00abOhio Players\u00bb a \u00abPeaches!\u00bb - 12 pulgadas","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"TGO8TxoyCt\"><a href=\"https:\/\/blogs.diariovasco.com\/12-pulgadas\/2026\/05\/31\/the-black-crowes-peaches\/\">El arte de no detenerse de The Black Keys: de \u00abOhio Players\u00bb a \u00abPeaches!\u00bb<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.diariovasco.com\/12-pulgadas\/2026\/05\/31\/the-black-crowes-peaches\/embed\/#?secret=TGO8TxoyCt\" width=\"600\" height=\"338\" title=\"&#8220;El arte de no detenerse de The Black Keys: de \u00abOhio Players\u00bb a \u00abPeaches!\u00bb&#8221; &#8212; 12 pulgadas\" data-secret=\"TGO8TxoyCt\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blogs.diariovasco.com\/12-pulgadas\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"La mejor manera de escuchar a The Black Keys en 2026 no es pensando en ellos como una banda que mira hacia atr\u00e1s, sino como un d\u00fao que ha convertido la continuidad en una forma de ambici\u00f3n. Desde Turn Blue (2014) han ido encadenando discos con muy poca pausa \u2014Let\u2019s Rock (2019), Delta Kream (2021), [&hellip;]","thumbnail_url":"https:\/\/tiendawarnermusic.es\/cdn\/shop\/files\/PortadaBK.png?v=1770373754&amp;width=1445"}