{"version":"1.0","provider_name":"Mon Oncle","provider_url":"https:\/\/blogs.diariovasco.com\/mononcle","author_name":"Ricardo Aldarondo","author_url":"https:\/\/blogs.diariovasco.com\/mononcle\/author\/raldarondo_1462233600\/","title":"Berlinale (III): flecos y complementos - Mon Oncle","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"NSYWkIe7Zj\"><a href=\"https:\/\/blogs.diariovasco.com\/mononcle\/2013\/02\/18\/berlinale-iii-flecos-y-complementos\/\">Berlinale (III): flecos y complementos<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.diariovasco.com\/mononcle\/2013\/02\/18\/berlinale-iii-flecos-y-complementos\/embed\/#?secret=NSYWkIe7Zj\" width=\"600\" height=\"338\" title=\"&#8220;Berlinale (III): flecos y complementos&#8221; &#8212; Mon Oncle\" data-secret=\"NSYWkIe7Zj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blogs.diariovasco.com\/mononcle\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Y tercer cap\u00edtulo con las pel\u00edculas que vimos en Berl\u00edn en la primera semana de la 63 edici\u00f3n, tanto en Competici\u00f3n Oficial, como en Panorama. The Necessary Death of Charlie Countryman, de Fredrik Bond. En su comienzo engancha enormemente, con su original forma de relatar una historia que integra de manera natural lo fantasioso, lo [&hellip;]"}